Résumé: The original extended mind theory propagated by Clark and Chalmers (Analysis 58:7-19, 1998) refers to the idea that our minds do not simply live within our brains or bodies but extend into the material world. In other words, the extended mind refers to the externalization of cognitive processes into technology. Through the case study of the artistic performance of the android Alter inspired by the Japanese Shintoist ritual of Kagura this paper reconceptualizes the extended mind from a technological act of transfer towards the relational, spatial, and performative ontologies of the intersubjective encounters between humans and non-humans. In an effort to decolonize performance and curatorial practice the paper draws upon indigenous scholarship, feminist STS, and performance studies to overcome preconceived conceptualizations of affect, perception, and relationality. The fundamental question the paper explores is how does intersubjective relationality unfold through performance in space? Based upon a critique of the android Alter's past performance the paper concludes with a re-envisioned event score that employs a reconceptualized theory of the extended mind and aimed at a different kind of intersubjective relationality to emerge.

Langue: Anglais